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Jules Edouard Roiné
Jules Édouard Roiné (Nantes, 1857-1916), was an exemplary French-American sculptor and master medal engraver of his era.
He was a student of Léopold Morice, renowned sculptor who completed the bas relief over the principal door at St. Etienne in Tours and the monument statue Republique (Marianne) at the Place de la Republique in Paris. Between 1881-1894, Roiné spent time in New York City where he participated in the decoration of several churches. Returning to France with an intriguing skill in medal work, Roiné created L'Aurore du XXieme Siècle (Dawn of the Twentieth Century), a distinguished piece that would be honored by the French government. Along with brothers Felix and Henri Weil, he would set a new standard in medal work in America creating the foundation for the Medallic Art Company. They introduced many techniques that shifted to other possibilities for sculptors to cast. During the construction of the Bronx Borough Courthouse (1905-1914), the vastly talented Roiné was commissioned to bring to life the statue of Lady Justice that was to be placed at the center of the building. The statue resulted in one of his finest works and has become part of a U.S. National Historic Place〔(【引用サイトリンク】url=http://www.nationalregisterofhistoricplaces.com/ny/bronx/state.html )〕 and New York City Landmark, joining the artistry he adorned at Grace Church, which obtained equal landmark recognition.
== Early life and career ==
Jules E. Roiné was born on October 24, 1857. During his early years in France, he gained valuable foundation in the skill of sculpting while studying under Léopold Morice, who along with his brother François-Charles Morice, was an acclaimed sculptor. By 1881, at the age of twenty-five, he embarked on his first trip to America. In his stay, he strengthen his trade as an artist and build many key relationships as an active member of the New York City circle of sculptors. In due course, he met countrymen and brothers Henri and Felix Weil. The trio, based on common heritage and professional interests, forged a lasting friendship that extended through their lifetime.
With talent demonstrated, Roiné gained many lucrative commissions. Gaining attention, he spent his time working in churches and decorating them with his skills. As years past, his interest broaden to other concepts. He purchased materials that would help him experiment and further shape his career. He invested wisely in various tools, chemicals, and machinery such as electrogalvanic tanks and copper anodes that wielded him new techniques to which he could apply to his creativity, producing electroforms. Roiné began working with medal casts. Most of his work revolved around galvano and foundry cast. He was proficient in preparing sculptor’s models which were appropriate for either a struck medal or a bas-relief plaque. He was creating these galvano casts as art objects as early as 1894, making the Marguerite Delpech Plaque, believed to be his first. This was an ideal method of reproducing sculptors’ small bas-relief models (it was only the size of the tank that limited the size of the object to be replicated). He became an early pioneer of this artistic technique in America.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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